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“Billy Crane Moves Away is a movie about my father-in-law. He was an uneducated man until he was in his 60's when he learned how to read, finally. Although he could not read until late in life, he was very intelligent about his surroundings, and always spoke his piece when asked. His sense of humor was truly awesome.Looking back over so many years, sure shows how right he was, and how badly the government wanted to get rid of the people of Newfoundland. Even today, after living on the Northern Peninsula, I get the impression that if the government could make Newfoundland Island a big park for tourism, the rest of the Islanders would also be pushed out. The hardiness and the camaraderie of these incredible inhabitants show everyone that it takes a stout heart to survive and believe me, I saw it first hand. Whole families of men gone in one storm. I just love the people of this big rock,and I was taken in as if I was a family member.”
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Date Modified : 2009-09-28 © 2011 National Film Board of Canada
Katerina Cizek
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Capturing the direct and plainspoken views of an islander for the express purpose of promoting a discussion of these topics within the community, it is perhaps the most representative film from Colin Low's pioneering Fogo series. In the mid-1970s Low was confronted by John Grierson in front of a class of his McGill undergraduates; he wanted to know, "What the value was of this film shot off Fogo Island. Was it good for television? Mass media? What did it say to Canada? What did it say to the world?"
These questions highlight the concerns of NFB and government ministry officials over the production of films targeting such specific audiences and addressing such local concerns. Yet the film illustrates the program's most innovative and influential dimension, namely the lasting value of the films to filmmakers and community organizers as training tools for similar ventures. This is to say nothing of the importance of the series as a document of the people, culture and language of the remote island community.
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